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Currently, the highest-end and most popular brands are simply going into the domain of very expensive. Any fragrance costs almost a fortune; it was once just a one-time cost to bear. The stars set to glamorize such a thing. Meanwhile, it’s a great-track, produced by Busta Rhymes, with a quick verse from Busta and promises a “mini movie” video soon. Indeed, this heavily hyped track really must uphold Busta’s tradition of high-energy intense beat for his fans.
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Undoubtedly, the energy is unreal as this conceptual collaboration marks the “return” of Busta Rhymes with Grafh. He will never stop blessing the hits. Busta Rhymes had an explosive Instagram posting in which he gave a shoutout to brother Grafh for “puttin’ the dragon on this” and declared the record a “BIG BLOODCLAAAT CHUNE/BANGER.” The post was nearly inundated with so many fire emojis, drawing a parallel to the incendiary vibes oozing from the track. If you’ve been awaiting that classic unrelenting Busta flow, this track is heavy with it.
The song stands the test of chaos well. According to this transcript from the audio, Busta Rhymes is displaying nothing but his best: Articulating traditionally race-car quick with complex double-meaning tongue-twisting bars of an intensity no one else can nut punch. Sliding from lyrical reasoning on survival, street credibility, and confidence in a quick flow just as he has always done, he rids the track with some of his trademarkesque breakneck rhythms. From “I’m used to living with nothing,” in stark contrast with statements of triumph that proclaim having “the juice,” the track courtesies between two apt portrayals: the in-your-face, vulgar intensity of Busta Rhymes and the choreographed language of a soft-spoken hip-hop boy.
That came with the audio, but with Busta promising a “MINI MOVIE/VIDEO SOON REACH,” excitement grew even bigger. If this track is burning so hot, then the hottest thing ever would be the visuals. A cinematic video for the track is the straight-up recipe to create a promotion based upon a full-sensory experience, a recipe that the creator has perfected for several ages.
That felt like an instantaneous kinetic reaction, and the comment section of his post was felt along with the vibes of positive energy on the track.
Another fan was loud in agreeing: “this is song is Fuego.” The purposely erroneous articulation of the word “song” emphasizes a spontaneous kind of enthusiasm: almost as if the person singing the praises couldn’t get their fingers quick enough on the keyboard. That compliment, loaded with raw energy, was really all the track needed; The kind of song that grabs hold of you and never lets go speaks right to your feelings-It’s not just nice; it’s a sick kind ofang” snatching” track. There was the story that had to be shared.”
This release is much more than a song; this is one of those statement releases. Just at that point of time in his career where most of the artists are slowing down, Busta Rhymes is operating against all that, hence slowing the whole thing down. He’s embedding himself deeper and louder in his trademark style, projecting the reminder of where he stands in this hip-hop universe. The Grafh voice points toward another meeting of two beautiful minds to stitch the sound that is fresh yet deeply rooted with Busta’s fat-trademark sound: the sound of an creator who is deeply enamored with what he does, hungry, and willing to demolish any beat he lays his tin ear to.
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An hour or so changes in an industry, Busta Rhymes is a test of sheer lyrical masquers. That is refreshing to his long-lasting list, warning through a loud-as-thunder thunderclap that he is far from dry in his creative fluids. And it will never stop being good shout-outs, and that is probably the best thing for real people that are into hip-hop. This project follows his recent powerful message on community and his collaboration with Papoose on the high-energy anthem “Counting Green.”
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